She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. The room was worse than pokey, it was shabby; and the view from the window, of chimney pots and slate roofs, wholly uninspiring. It's a bad omen to be thrown near that door. "Oh no—no! You say this to terrify me—to try me. .
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