His job as a painter was wearing him down acutely as he aged. The youth with his hair like Russell cleared his throat and said rather irrelevantly that he knew a man who knew Thomas Bayard Simmons, who had rioted in the Strangers’ Gallery, and then Capes, finding them all distinctly pro-Ann Veronica, if not profeminist, ventured to be perverse, and started a vein of speculation upon the Scotchman’s idea—that there were still hopes of women evolving into something higher. There were menacing possibilities; the thought of them set him a-tremble.
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